Research Output per year
Personal profile
Biography
Ryan Ross Smith is a composer, performer and educator currently based in Melbourne, Australia. Smith has performed throughout the US, Europe and UK, including performances at MoMA and PS1 [NYC] and Le Centre Pompidou [Paris, FR], has had his music performed throughout North America, Iceland, Denmark, Australia and the UK, has presented his work and research at conferences including NIME, ISEA, ICLI, ICLC, SMF, SMC and TENOR, and has lectured at various colleges and universities. As a sound designer/engineer, Smith has produced a range of work, including projects for ABC (David Blaine's "Drowned Alive"), Kassen Brothers Production (the score for "Puncture"), and WNYC's Studio360. Most recently, Smith worked as the mixing/mastering engineer and composer for ESPN's 30 for 30 Podcast "Bikram". Smith is also known for his work with Animated Notation, and his Ph.D. research website is archived at animatednotation.com. He currently teaches Composition and Sonic Arts at Monash University in Melbourne, Australia.
Education/Academic qualification
Electronic Arts, PhD, Rensselaer Polytechnic Institute
1 Sep 2012 → 1 Aug 2016
Electronic Music and Recording Media, MFA, Mills College
1 Sep 2010 → 1 May 2012
Research area keywords
- Animated Notation
- Live Coding
- Modular Synthesizers
Network
Recent external collaboration on country level. Dive into details by clicking on the dots.
Research Output 2015 2018
Ross Farwell: Ross Farwell
Smith, R. R., 2018Research output: Non-textual form › Recorded/ Rendered Performance › Other
Ross Farwell: Negative Baby
Smith, R. R., 2018Research output: Non-textual form › Recorded/ Rendered Performance › Other
The Dark Side
Smith, R. R. & Lawson, S., 2017, Proceedings of the Third International Conference on Live Coding. 4 p.Research output: Chapter in Book/Report/Conference proceeding › Conference Paper › Other › peer-review
[Study no. 50][Notational Becoming][Speculations]
Smith, R. R., 2016, TENOR: The International Conference on Technologies for Music Notation and Representation. 2 ed. 7 p.Research output: Chapter in Book/Report/Conference proceeding › Conference Paper › Other › peer-review
Closing the Circuit: Live Coding the Modular Synth
Smith, R. R. & Lawson, S., 2016, Second International Conference on Live Coding. 6 p.Research output: Chapter in Book/Report/Conference proceeding › Conference Paper › Other › peer-review
Prizes
Pixie Gold Award
Ryan Smith (Recipient) & Shawn Lawson (Recipient), 2015
Prize: Prize (including medals and awards)
Activities 2016 2018
International Conference on Technologies for Music Notation and Representation 2018 (Event)
Ryan Smith (Peer reviewer)Activity: Publication peer-review and editorial work types › Peer review responsibility
New Interfaces for Musical Expression 2018
Ryan Smith (Speaker), Shawn Lawson (Speaker)Activity: Participating in or organising an event types › Contribution to workshop, seminar, course
Live Coding Lecture-Demonstration at Sample Music Festival
Ryan Smith (Speaker)Activity: Participating in or organising an event types › Contribution to workshop, seminar, course
International Conference on Live Interfaces 2018 (Event)
Ryan Smith (Peer reviewer)Activity: Publication peer-review and editorial work types › Peer review responsibility
Totalitarian Scoring Workshop at TENOR 2017
Ryan Smith (Speaker), Benedict Carey (Speaker)Activity: Participating in or organising an event types › Contribution to workshop, seminar, course
Press / Media
REVOLUTION BY DECIBEL (TURA NEW MUSIC)
Cat Hope, Aaron Kenneth Wyatt & Ryan Ross Smith
3/12/18
1 Media contribution
Press/Media: Review