Paul Watt

Assoc Professor

Accepting PhD Students

20072019
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Research Output 2007 2019

2019

British Music Criticism, 1890–1945

Watt, P., Sep 2019, The Cambridge History of Music Criticism. Dingle, C. (ed.). Cambridge University Press, p. 371–391 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Open Access
File

Buskers and Busking in Australia in the Nineteenth Century

Watt, P., 29 Aug 2019, In : Musicology Australia. 41, 1, p. 22–35 14 p.

Research output: Contribution to journalArticleResearchpeer-review

Jacques Barzun's Berlioz and the Romantic Century (1950): A Musicological Brontosaurus?

Watt, P., 16 Aug 2019, (Accepted/In press) In : Journal of Musicological Research. 15 p.

Research output: Contribution to journalArticleResearchpeer-review

The Function of Hymns in the Liturgical Life of Malcolm Quin’s Positivist Church, 1878–1905

Watt, P., 4 Aug 2019, In : Yale Journal of Music & Religion. 5, 1, p. 51–70 20 p.

Research output: Contribution to journalArticleResearchpeer-review

Open Access
File
2018

Ernest Newman and the Promise of Method in Biography, Criticism and History

Watt, P., Jul 2018, British Musical Criticism and Intellectual Thought, 1850–1950. Dibble, J. & Horton, J. (eds.). Woodbridge Suffolk UK: Boydell & Brewer, p. 84–101 18 p. (Music in Britain, 1600–2000).

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Street music in London in the nineteenth century: ‘Evidence’ from Charles Dickens, Charles Babbage and Lucy Broadwood

Watt, P., 2018, In : Nineteenth Century Music Review. 15, 1, p. 9-22 13 p.

Research output: Contribution to journalArticleResearchpeer-review

Street Music in the Nineteenth Century: Histories and Historiographies

Watt, P., 2018, In : Nineteenth Century Music Review. 15, 1, p. 3-8 6 p.

Research output: Contribution to journalArticleResearchpeer-review

The Regulation and Reform of Music Criticism in Nineteenth-Century England

Watt, P., 1 Jan 2018, Abingdon: Routledge. 132 p. (Royal Musical Association Monographs; no. 31)

Research output: Book/ReportBookResearchpeer-review

The Rise of the Professional Music Critic in Nineteenth-Century England

Watt, P., 28 Mar 2018, The Music Profession in Britain, 1780–1920: New Perspectives on Status and Identity. Golding, R. (ed.). Abingdon, Oxon UK: Routledge, p. 110–127 18 p. (Music in Nineteenth-Century Britain).

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

2017

Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster

Watt, P. (ed.), Scott, D. B. (ed.) & Spedding, P. (ed.), 23 Mar 2017, 1st ed. Cambridge UK: Cambridge University Press. 264 p.

Research output: Book/ReportEdited BookOtherpeer-review

Critical networks

Watt, P. & Collins, S. S., 18 Apr 2017, In : Nineteenth Century Music Review. 14, 1, p. 3-8 6 p.

Research output: Contribution to journalArticleResearchpeer-review

Ernest Newman: A Critical Biography

Watt, P., 16 Jun 2017, Woodbridge UK: Boydell & Brewer. 253 p. (Music in Britain, 1600-2000)

Research output: Book/ReportBookResearchpeer-review

Musical and literary networks in the Weekly Critical Review, Paris, 1903-1904

Watt, P., 2017, In : Nineteenth Century Music Review. 14, 1, p. 33–50 18 p.

Research output: Contribution to journalArticleResearchpeer-review

Music criticism in nineteenth-century England: How did it become a profession?

Watt, P., 2017, In : Musicologica Brunensia. 52, 1, p. 117-126 10 p.

Research output: Contribution to journalArticleResearchpeer-review

The nineteenth-century songster: Recovering a lost musical artefact

Watt, P., Scott, D. B. & Spedding, P., 23 Mar 2017, Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster. New York: Cambridge University Press, p. 1-7 8 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Otherpeer-review

The prefaces to songsters: The law, aesthetics, performers and their reputations

Watt, P., 23 Mar 2017, Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster. Watt, P., Scott, D. B. & Spedding, P. (eds.). 1st ed. Cambridge UK: Cambridge University Press, p. 32-46 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

2016

Street music: Ethnography, performance, theory

Watt, P., 2016, In : Journal of Musicological Research. 35, 2, p. 69-71 3 p.

Research output: Contribution to journalArticleOtherpeer-review

2015

A "nationalist in art": Holbrooke's contemporary British composers (1925)

Watt, P. E., 2015, Joseph Holbrooke: Composer, Critic, and Musical Patriot. Watt, P. & Forbes, A-M. (eds.). Lanham MD USA: Rowman & Littlefield Publishers, p. 153 - 174 22 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Joseph Holbrooke: Composer, Critic, and Musical Patriot

Watt, P. & Forbes, A-M., 2015, Lanham MD USA: Rowman & Littlefield Publishers. 331 p.

Research output: Book/ReportEdited BookOther

Situating Holbrooke in British musical history

Watt, P. E. & Forbes, A-M., 2015, Joseph Holbrooke: Composer, Critic, and Musical Patriot. Watt, P. & Forbes, A-M. (eds.). Lanham MD USA: Rowman & Littlefield Publishers, p. 1 - 8 8 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

2014

Alexandra Palace: music, leisure, and the cultivation of 'higher civilization' in the late nineteenth century

Watt, P. & Rabinovici, A., 2014, In : Music & Letters. 95, 2, p. 183 - 212 30 p.

Research output: Contribution to journalArticleResearchpeer-review

Critics

Watt, P. E., 2014, The Oxford Handbook of Opera. Greenwald, H. M. (ed.). New York NY UK: Oxford University Press, p. 881 - 898 18 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Music, lyrics and cultural tropes in Australian popular songs of the first world war: two case studies

Watt, P., 2014, In : Musicology Australia. 36, 1, p. 90 - 105 16 p.

Research output: Contribution to journalArticleResearchpeer-review

2013

Ernest Newman's draft of a Berlioz biography (1899) and its appropriation of Emile Hennequin's style theory

Watt, P. E., 2013, In : Nineteenth Century Music Review. 10, 1, p. 151 - 168 18 p.

Research output: Contribution to journalArticleResearchpeer-review

2011

Bawdy Songbooks of the Romantic Period (series editor)

Spedding, P. & Watt, P., 2011, London United Kingdom: Pickering & Chatto. 1952 p.

Research output: Book/ReportEdited BookOther

General introduction: historical, social and musical contexts of a forgotten repertory

Spedding, P. & Watt, P., 2011, Bawdy Songbooks of the Romantic Period, Vol 1. Spedding, P. & Watt, P. (eds.). London, UK: Pickering & Chatto Publishers, p. 1 - 11 11 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Open Access
File
2009

A 'gigantic and popular place of entertainment': Granville Bantock and music-making at the New Brighton Tower in the late 1890s'

Watt, P. E., 2009, In : Royal Musical Association Research Chronicle. 42, 2009, p. 109 - 164 56 p.

Research output: Contribution to journalArticleResearchpeer-review

2007

Ernest Newman's The Man Liszt (1934): reading its freethought agenda

Watt, P. E., 2007, In : Context: Journal of Music Research. 31, p. 193 - 205 13 p.

Research output: Contribution to journalArticleResearchpeer-review