Cat Hope

Professor

Accepting PhD Students

20092021

Research output per year

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Research Output

2020

Teaching tertiary music in the #metoo era

Devenish, L., Sun, C., Hope, C. & Tomlinson, V., 2020, In : Tempo (United Kingdom). 74, 292, p. 30-37 8 p.

Research output: Contribution to journalArticleResearchpeer-review

2019

An International Perspective on Managing a Career as a Woman Composer

Hennekam, S., Bennett, D., Macarthur, S., Hope, C. & Goh, T., 1 Mar 2019, In : International Journal of Arts Management. 21, 3, p. 4-13 10 p.

Research output: Contribution to journalArticleResearchpeer-review

3 Citations (Scopus)

Hiding gender: how female composers manage gender identity

Bennett, D., Hennekam, S., Macarthur, S., Hope, C. A. & Goh, T., 2019, In : Journal of Vocational Behavior. 113, p. 20-32 13 p.

Research output: Contribution to journalArticleResearchpeer-review

4 Citations (Scopus)

Women composers’ use of online communities of practice to build and support their careers

Hennekam, S., Macarthur, S., Bennett, D., Hope, C. & Goh, T., 1 Jan 2019, (Accepted/In press) In : Personnel Review.

Research output: Contribution to journalArticleResearchpeer-review

2018

Creating a career as a woman composer: Implications for music in higher education

Bennett, D., Macarthur, S., Hope, C. A., Goh, T. & Hennekam, S., 2018, In : British Journal of Music Education. 35, 3, p. 237-253 17 p.

Research output: Contribution to journalArticleResearchpeer-review

Open Access
File
7 Citations (Scopus)

Toad Media

Hope, C. & Marshall, J. W., 2018, In : Antennae: the Journal of Nature in Visual Culture. Winter 2018, 46, p. 38-50 13 p.

Research output: Contribution to journalArticleResearchpeer-review

Open Access
File
2017

Archiving Western Australian New Music Performance

Hope, C. A., Trainer, A. & Green, L., 23 Mar 2017, Documenting Performance: The Context and Processes of Digital Curation and Archiving. Sant, T. (ed.). London UK: Bloomsbury Academic, p. 215-226 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Electronic scores for music: the possibilities of animated notation

Hope, C., Sep 2017, In : Computer Music Journal. 41, 3, p. 21-35 15 p.

Research output: Contribution to journalArticleResearchpeer-review

3 Citations (Scopus)

Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery

Vickery, L., Devenish, L., James, S. & Hope, C., 4 Mar 2017, In : Contemporary Music Review. 36, 1-2, p. 15-35 21 p.

Research output: Contribution to journalArticleResearchpeer-review

Performing Newness and Nowness: Repertoire and improvisation in the Western Australian New Music Archive

Trainer, A. & Hope, C. A., 2017, 1 ed., Otago NZ: Performance of the Real Working Papers, p. 1-18, 18 p. (Performance of the Real).

Research output: Working paperWorking PaperOther

The Decibel new music ensemble: Artistic research in experimental music at the academy

Hope, C. A., Jan 2017, Perspectives on Artistic Research in Music. Burke, R. & Onsman, A. (eds.). Lanham Maryland USA: Lexington Books, p. 143-156 13 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

The Rise and Fall, and the Rise (Again) of Feminist Research in Music: ‘What Goes Around Comes Around’

Macarthur, S., Bennett, D., Goh, T., Hennekam, S. & Hope, C., 3 Jul 2017, In : Musicology Australia. 39, 2, p. 73-95 23 p.

Research output: Contribution to journalArticleResearchpeer-review

5 Citations (Scopus)

What is new, here? Locating an art form within the western australian new music archive

Trainer, A., Hope, C. A. & Green, L., 1 Jan 2017, In : Journal of the Australian Library and Information Association. 66, 3, p. 231-248 18 p.

Research output: Contribution to journalArticleResearchpeer-review

Wording new paths: Text-based notation in new solo percussion works by Natasha Anderson, Erik Griswold, and Vanessa Tomlinson

Hope, C., 4 Mar 2017, In : Contemporary Music Review. 36, 1-2, p. 36-47 12 p.

Research output: Contribution to journalArticleResearchpeer-review

2016

"Intermodulations" performed by Decibel new music

Hope, C. A., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L. & Tonkin, C., 2016

Research output: Non-textual formMusic PerformanceResearch

2015

Notating Drawings for Performance [new compositions]

Hope, C. A., 2015

Research output: Non-textual formCommissioned or Visual ArtworkResearch

The Western Australian New Music Archive: Performing as remembering

Hope, C. A., MacKinney, L., Green, L., Travers, M. & Mahoney, T., 2015, Research, Records and Responsibility: Ten Years of PARADISEC. Harris, A., Thieberger, N. & Barwick, L. (eds.). Sydney NSW Australia: Sydney University Press, p. 209-225 17 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

2013

Drawn from sound - exhibition, performances, catalogue

Hope, C. A., 2013

Research output: Non-textual formMusic PerformanceResearch

Mobilising John Cage: The Design and Generation of Score Creators for the Complete John Cage Variations I - VIII

Hope, C. A., Vickery, L., Wyatt, A. & James, S., 2013, In : Malaysian Music Journal. 2, 2, p. 34-45 12 p.

Research output: Contribution to journalArticleResearchpeer-review

The Sound of Decay (2013-2016) [new composition]

Hope, C. A., 2013

Research output: Non-textual formCommissioned or Visual ArtworkResearch

2012

Innovative Scoring Electronics for Performance (2010-2016) [new compositions]

Hope, C. A., 2012

Research output: Non-textual formCommissioned or Visual ArtworkResearch

Notations for noise music - freedom, determinacy and structure (2012-2014) [new compositions]

Hope, C. A., 2012

Research output: Non-textual formCommissioned or Visual ArtworkResearch

Sampling for timbral transformation in chamber performance (2012-2014) [new compositions]

Hope, C. A., 2012

Research output: Non-textual formCommissioned or Visual ArtworkResearch

The Decibel Score Player

Hope, C. A., Wyatt, A. K., Vickery, L. & James, S., 2012

Research output: Non-textual formSoftwareResearch

The John Cage Complete Variations Project

Hope, C. A., Vickery, L., James, S., Wyatt, A. & Parr, T., 2012

Research output: Non-textual formRecorded/ Rendered PerformanceResearch

2011

Low Frequency in sound installation (2009 - 2014)

Hope, C. A., 2011

Research output: Non-textual formRecorded/ Rendered PerformanceResearch

The interaction between drone and glissando in acoustic composition [new compositions]

Hope, C. A., 2011

Research output: Non-textual formCommissioned or Visual ArtworkResearch

Visualising the score: Screening scores in realtime performance

Hope, C. A. & Vickery, L., 2011, In : IM Interactive Media - E-Journal of the National Academy of Screen and Sound. 7, p. 2-16 15 p.

Research output: Contribution to journalArticleResearchpeer-review

2010

Vibrating performance: Experiencing music though vibration in the works of Abe Sada

Hope, C. A., 2010, In : Australasian Drama Studies. 56, p. 170-182

Research output: Contribution to journalArticleResearchpeer-review

2009

Animating Drawings as Music Notation [new compositions]

Hope, C. A., 2009

Research output: Non-textual formCommissioned or Visual ArtworkResearch

Decibel Performances

Hope, C. A., Vickery, L., James, S., Parr, T. & Wyatt, A., 2009

Research output: Non-textual formMusic PerformanceResearch

Infrasonic music

Hope, C. A., 2009, In : Leonardo. 19, p. 51-56 7 p.

Research output: Contribution to journalArticleResearchpeer-review

Very low Frequency (VLF) Tones in acoustic composition [new compositions]

Hope, C. A., 2009

Research output: Non-textual formCommissioned or Visual ArtworkResearch

Very Low Frequency sound in a free noise improvisation (2009-)

Hope, C. A., 2009

Research output: Non-textual formMusic PerformanceResearch