Research output per year
Research output per year
Brian Nelson is Professor Emeritus of French at Monash University, Melbourne. He read modern languages at Cambridge and took a D.Phil. at Oxford. He was lecteur d’anglais at the Ecole Normale Supérieure, Paris, and senior lecturer at Aberystwyth University, Wales, before being appointed Professor of French at Monash in 1985. He has held visiting fellowships at New College (Oxford), Indiana University (Bloomington, US), the Salzburg Global Seminar, the Camargo Foundation (Cassis, France), the Dora Maar House (Menerbes, France), and the Institut d’études avancées de Paris (Paris Institute for Advanced Study). He was founding president of the Australian Society for French Studies, president of the Australian Association for Literary Translation (2007-15), and editor of the Australian Journal of French Studies (2002-20). He is a Fellow of the Australian Academy of the Humanities and a Chevalier dans l'Ordre des Palmes Academiques.
He is the author, editor, or co-editor of 26 book-length publications. He is best known for his translations and critical studies of the novels of Emile Zola. These include The Cambridge Companion to Zola, Zola and the Bourgeoisie, Naturalism in the European Novel, and translations, for Oxford World’s Classics, of L'Assommoir, The Belly of Paris, Earth (with Julie Rose), The Fortune of the Rougons, His Excellency Eugene Rougon, The Kill, The Ladies’ Paradise and Pot Luck. He has also translated Swann in Love by Marcel Proust. He won the 2015 New South Wales Premier’s Prize for Translation.
His most recent critical works are Emile Zola: A Very Short Introduction (Oxford, 2020) and The Cambridge Introduction to French Literature (Cambridge, 2015). Since 2020 he has been engaged, as co-editor and contributing translator, on a new edition of Proust's In Search of Lost Time for Oxford World's Classics.
2021 Emile Zola, The Assommoir. A new translation. Oxford University Press. In press.
2020 Emile Zola: A Very Short Introduction. Oxford University Press. 160pp. Released as an audiobook by Recorded Books.
2018 Emile Zola, His Excellency Eugene Rougon (Son Excellence Eugene Rougon). A new translation with introduction and notes. Oxford University Press. xxxi + 343pp.
2017 Marcel Proust, Swann in Love (Un amour de Swann). A new translation. Introduction and notes by Adam Watt. Oxford University Press. xxxvii + 194pp.
2016 Émile Zola, Earth (La Terre). A new translation (with Julie Rose) with introduction and notes. Oxford University Press. xxvii + 433pp.
2015 The Cambridge Introduction to French Literature. Cambridge University Press. 296pp.
2013 Perspectives on Literature and Translation: Creation, Circulation, Reception. Co-ed. with Brigid Maher. New York and London: Routledge. 224pp. Paperback release 2016.
2012 Émile Zola, The Fortune of the Rougons (La Fortune des Rougon). A new translation with introduction and notes. Oxford University Press. xxx + 301pp.
2007 The Cambridge Companion to Émile Zola. Cambridge University Press. 214pp.
2007 Émile Zola, The Belly of Paris (Le Ventre de Paris). A new translation with introduction and notes. Oxford University Press. xxxiii + 287pp.
2005 After Blanchot: Literature, Philosophy, Criticism. Co-ed. with Leslie Hill and Dimitris Vardoulakis. Newark: University of Delaware Press. 286pp.
2004 Practising Theory: Pierre Bourdieu and the Field of Cultural Production. Co-ed. with Jeff Browitt. Newark: University of Delaware Press. 131pp.
2004 Émile Zola, The Kill (La Curée). A new translation with introduction and notes. Oxford University Press. xxxix + 275pp.
2001 Telling Performances: Readings of Gender, Narrative and Performance. Co-ed. with Anne Freadman and Philip Anderson. Newark: University of Delaware Press. 265pp.
2000 Women Seeking Expression: France 1789–1914. Co-ed. with Rosemary Lloyd. Melbourne: Monash Romance Studies. 275pp.
1999 Émile Zola, Pot Luck (Pot-Bouille). A new translation with introduction and notes. Oxford University Press. 1999. xxiv + 381pp.
1999 The People’s Voice: Essays on European Romanticism. Co-ed. with Andrea Ciccarelli and John C. Isbell. Melbourne: Monash Romance Studies. 150pp.
1995 Émile Zola, The Ladies’ Paradise (Au Bonheur des Dames). Oxford University Press, xxxi + 438pp. BBC tie-in edition Oct. 2012. Used as the basis of two BBC TV series, The Paradise (2012–13); dramatized as the “Classic Serial”, BBC Radio 4, 1997.
1995 Forms of Commitment: Intellectuals in Contemporary France.Melbourne: Monash Romance Studies. An edited collection. 192pp.
1993 Émile Zola: “Thérèse Raquin”. London: Bloomsbury (formerly Bristol Classical Press). A critical edition. xxxviii +150pp.
1992 Naturalism in the European Novel: New Critical Perspectives. New York/Oxford: Berg. An edited collection. 280pp.
1992 The Idea of Europe. Co-ed. with David Roberts and Walter Veit. New York/Oxford: Berg). 180pp.
1992 The European Community in the 1990s. Co-ed. with David Roberts and Walter Veit. New York/Oxford: Berg. 220pp.
1986 Jean Giono: “Colline”. Oxford: Blackwell. A critical edition. xxxii + 96pp.
1983 Zola and the Bourgeoisie: A Study of Themes and Techniques in Les Rougon-Macquart. London: Macmillan. 230pp.
1982 Émile Zola: A Selective Analytical Bibliography. London: Grant & Cutler. 150pp.
Research output: Book/Report › Book › Research › peer-review