Research Output

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Chapter (Book)

"A Beginning": Reviewing Australia's colonial past in Indigenous film and television

Davis, T. V., 2013, Remapping the Future: History, Culture and Environment in Australia and India. Frances, R. & Bandyopadhyay, D. N. (eds.). Newcastle upon Tyne United Kingdom: Cambridge Scholars Publishing, p. 15 - 32 18 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Accented relations: Mad Max on US screens

Dwyer, T., 2018, American-Australian Cinema: Transnational Connections. Danks, A., Gaunson, S. & Kunze, P. C. (eds.). Cham Switzerland: Springer, p. 117-139 23 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

1 Citation (Scopus)

A certain dark corner of modern cinema: Naomi Kawase's self-portraits

Martin, A. P., 2015, Performance and Temporalisation: Time Happens. Grant, S., McNeilly, J. & Veerapen, M. (eds.). Hampshire UK: Palgrave Macmillan, p. 180 - 189 10 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Adapting Plathology: Sylvia (2003)

Perkins, C., 2016, Invented Lives, Imagined Communities: The Biopic and American National Identity. Epstein, W. H. & Palmer, R. B. (eds.). Albany NY USA: State University of New York Press, p. 181-200 20 p. (Horizons of Cinema).

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Adapting Queer Shorts to Feature Films: Does Size Really Matter?

Monaghan, W. J. & Richards, S., 2019, Queer/Adaptation: A Collection of Critical Essays. Demory, P. (ed.). Cham Switzerland: Palgrave Macmillan, p. 137-153 17 p. (Palgrave Studies in Adaptation and Visual Culture).

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Afterword: truth approaches, reality affects

Martin, A. P., 2012, Truth and Fiction: Notes on (Exceptional) Faith in Art. Manchevski, M. (ed.). Brooklyn, New York: Punctum Books, p. 29 - 40 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Other

All the Real Girls (2003): Indie love

Perkins, C. E., 2015, US Independent Film After 1989: Possible Films. Perkins, C. & Verevis, C. (eds.). 1 ed. Edinburgh UK: Edinburgh University Press, p. 15 - 24 10 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

A lost domain: Fiction and its Other in the cinema of Raul Ruiz

Martin, A. P., 2012, Raul Ruiz. Marias, M., Martin, A., Rosenbaum, J., Margolin, F. & Arriagada y Andres Claro, J. (eds.). Madrid Spain: Ediciones Catedra, p. 71 - 99 29 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

'An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema

Martin, A., 2012, After Taste: Cultural Value and the Moving Image. Vassilieva, J. & Verevis, C. (eds.). United Kingdom: Routledge, p. 11 - 24 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

An incident in the history of surrealism: on a sequence in The Devil Doll

Martin, A. P., 2008, The Cinema of Tod Browning: Essays of the Macabre and Grotesque. Herzogenrath, B. (ed.). North Carolina USA: McFarland Publishers, p. 198 - 213 16 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

An introduction

Hanan, D. M., 2001, Film in South East Asia: Views from the Region: Essays on Film in Ten South East Asia-Pacific Countries. Hanan, D. (ed.). 1 ed. Hanoi Vietnam: SEAPAVAA Vietnam Film Institute and NSSAA, p. 14 - 29 16 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Other

Another Green World: The Mad Max Series

Verevis, C., 2019, A Companion to Australian Cinema. Collins, F., Landman, J. & Bye, S. (eds.). Hoboken NJ USA: John Wiley & Sons, p. 133–148 16 p. (Wiley Blackwell Companions to National Cinemas).

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Otherpeer-review

A personal matter: 'H story'

Verevis, C. E., 2012, Film Remakes, Adaptations and Fan Productions: Remake/Remodel. Loock, K. & Verevis, C. (eds.). Basingstoke UK: Palgrave Macmillan, p. 159 - 175 17 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Approaching The New World

Martin, A. P., 2007, The Cinema of Terrence Malick: Poetic Visions of America. Patterson, H. (ed.). 2 ed. London, UK: Wallflower Press, p. 212 - 221 10 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Asia Pacific modernities: thinking through youth media locales

Smaill, B. M., 2008, Youth, Media and Culture in the Asia Pacific Region. Rodrigues, U. M. & Smaill, B. (eds.). Newcastle UK: Cambridge Scholars Publishing, p. 1 - 15 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Asia the invincible: discourses of regionalism in Dong fang bu bai 2: zhi feng yun zai qi (The East is Red) and Wo hu cang long (Crouching Tiger, Hidden Dragon)

Khoo, O., 2007, How East Asian Films are Reshaping National Identities: Essays on the Cinemas of China, Japan, South Korea and Hong Kong. Gibb, M. & White, D. (eds.). Lewiston NY, United States of America: The Edwin Mellen Press Ltd, p. 221 - 244 24 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

A tradition of political allegory and political satire in Indonesian cinema

Hanan, D. M., 2009, Asian Hot Shots: Indonesian Cinema. Michalik, Y. & Coppens, L. (eds.). Marburg Germany: Schueren Verlag, p. 14 - 45 32 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Audiovisual pleasure and narrative cinema

Alvarez, C. & Martin, A. P., 2017, For The Love of Cinema: Teaching Our Passion In and Outside the Classroom. Richards, R. W. & Johnson, D. T. (eds.). Bloomington Indiana USA: Indiana University Press, p. 113-121 9 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Audiovisual translation and fandom

Dwyer, T., 2019, The Routledge Handbook of Audiovisual Translation. Pérez González, L. (ed.). Abingdon Oxon UK: Routledge, p. 436-452 17 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Australia

King, N., Verevis, C. & Williams, D., 1 Jan 2008, The SAGE Handbook of Film Studies. SAGE Publications Ltd, p. 112-122 11 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Australia

King, N., Verevis, C. E. & Williams, D. M., 2008, The SAGE Handbook of Film Studies. Donald, J. & Renov, M. (eds.). London UK: SAGE Publications Ltd, p. 112 - 122 11 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Australian film theory and criticism

King, N., Verevis, C. E. & Williams, D. M., 2013, Australian Film Theory and Criticism: Volume 1: Critical Positions. King, N., Verevis, C. & Williams, D. (eds.). Bristol UK: Intellect Books, p. 3 - 16 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

3 Citations (Scopus)

Australian film theory and criticism and cultural studies

Williams, D. M., 2013, Australian Film Theory and Criticism: Volume 1: Critical Positions. King, N., Verevis, C. & Williams, D. (eds.). Bristol UK: Intellect Books, Vol. 1. p. 111 - 125 13 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Australian Indigenous Screen in the 2000s: Crossing into the Mainstream

Davis, T. V., 21 Dec 2017, Australian Screen in the 2000s. Ryan, M. D. (ed.). Cham Switzerland: Palgrave Macmillan, p. 231-259 28 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

A Vida Interior de Um Filme

Martin, A. P., 2009, Cem mil cigarros. Cabo, R. M. (ed.). Lisbon, Portugal: Orfeu Negro, p. 91 - 97 7 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Back to orthodoxy? Religious discourse in post-communist Russia as an empty signifier

Vassilieva, I., 2011, Aesopic Voices: Re-framing Truth through Concealed Ways of Presentation in the 20th and 21st centuries. Reifarth, G. & Morrisey, P. (eds.). Newcastle upon Tyne, UK: Cambridge Scholars Publishing, p. 320 - 338 19 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Other

BADaptation: Is Candy faithful?

Verevis, C. E., 2014, B is for Bad Cinema: Aesthetics, Politics, and Cultural Value. Perkins, C. & Verevis, C. (eds.). 1st ed. Albany NY USA: State University of New York Press, p. 215 - 239 25 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Beside the river

Moreton, J. R., 2012, Volume One: MCA Collection. The Rocks NSW Australia: Museum of Contemporary Art Limited, 1 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Other

Beyond good/should/bad: Teaching Australian indigenous film and television

Davis, T., 2012, After Taste: Cultural Value and the Moving Image. Vassilieva, J. & Verevis, C. (eds.). United Kingdom: Routledge, p. 155 - 160 6 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Beyond the fragments of cinephilia: Towards a synthetic analysis

Martin, A. P., 2009, Cinephilia in the Age of Digital Production: Film, Pleasure and Digital Culture. Balcerzak, S. & Sperb, J. (eds.). Great Britain: Wallflower Press, p. 30 - 53 24 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Bizarre love triangle: The creature trilogy

Verevis, C. E., 2012, Film Trilogies: New Critical Approaches. Perkins, C. & Verevis, C. (eds.). Basingstoke UK: Palgrave Macmillan, p. 68 - 87 20 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Bombay cinema's aesthetic other: Hindi Shastriya cinema in retrospect

Patra, P., 2014, Bollywood and its Other(s): Towards New Configurations. Kishore, V., Sarwal, A. & Patra, P. (eds.). Hampshire UK: Palgrave Macmillan, p. 24 - 38 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Boring humanist bodies

Martin, A. P., 2008, Just Words? Australian Authors Writing for Justice. Brennan, B. (ed.). St Lucia Qld Australia: The University of Queensland Press, p. 87 - 101 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Busby Berkeley, Ken Jacobs: A precarious, extravagant, populist, and constructivist cinema

Martin, A., 2011, Optic Antics: The Cinema of Ken Jacobs. Pierson, M., James, D. E. & Arthur, P. (eds.). New York US: Oxford University Press, p. 216 - 229 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Camping out to queer the scene: 19th century photographs

Marsh, A., 1997, A small history of photography. Fitzroy Vic Australia: Centre for Contemporary Photography, p. 45 - 50 6 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Other

Centre, periphery, and famine in Distant Thunder and In Search of Famine

Pathiraja, D. & Hanan, D. M., 2006, Representing the Rural: Space, Place and Identity in Films about the Land. Fowler, C. & Helfield, G. (eds.). 1 ed. Detroit, Michigan, USA: Wayne State University Press, p. 104 - 118 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Changing social formations in Indonesian and Thai teen movies

Hanan, D. M., 2008, Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics. Heryanto, A. (ed.). Oxford UK: Routledge, p. 54 - 69 16 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

7 Citations (Scopus)

Changing social formations in Indonesian and Thai teen movies

Hanan, D. M., 2012, Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics. Heryanto, A. (ed.). Yogyakarta: Jalasutra, p. 79 - 103 25 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Other

Cierto rincon oscuro del cine moderno [True dark corner of modern cinema]

Martin, A. P., 2008, Naomi Kawase: El Cine En El Umbral. Lopez, J. M. (ed.). Madrid Spain: T&B Editores, p. 45 - 53 9 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Cinema of the world and women’s film culture: Susanne Bier’s transnational cinema

Smaill, B., 2018, ReFocus: : The Films of Susanne Bier. Molloy, M., Nielsen, M. & Shriver-Rice, M. (eds.). 1st ed. Edinburgh UK: Edinburgh University Press, p. 211-228 18 p. (ReFocus: The International Directors Series).

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Colonial adaptations: Ken G. Hall’s the Silence of Dean Maitland (1934)”

Williams, D., 1 Aug 2019, Critical Edition of The Silence of Dean Maitland. Morrison, K. (ed.). Newcastle Upon Tyne: Cambridge Scholars Publishing, p. 367-373 7 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Contemporary Australian film theory and criticism

King, N., Verevis, C. E. & Williams, D. M., 2013, Australian Film Theory and Criticism: Volume 1: Critical Positions. King, N., Verevis, C. & Williams, D. (eds.). Bristol, UK: Intellect Books, p. 129 - 142 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

1 Citation (Scopus)

Devil-May-Care: Curtiz and Flynn in Hollywood

Verevis, C., 2018, The Many Cinemas of Michael Curtiz. Palmer, R. B. & Pomerance, M. (eds.). 1st ed. Austin TX USA: University of Texas Press, p. 265-277 13 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Different, even wholly irrational arguments: The film philosophy of Béla Balázs

Martin, A., Mar 2017, Film as Philosophy. Herzogenrath, B. (ed.). Minneapolis MN USA: University of Minnesota Press, p. 45-65 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Digital Transmedia Forms and Transnational Documentary Networks

Williams, D., 2019, A Companion to Australian Cinema. Collins, F., Landman, J. & Bye, S. (eds.). Hoboken, New Jersey: Wiley-Blackwell, p. 493-507 14 p. (Wiley Blackwell Companions to National Cinema).

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Dinosaurios, bebes y el sonido de la musica

Martin, A. P., 2009, En Transito: Berlin - Paris - Hollywood. Mayor, C. L. (ed.). Madrid, Spain: T&B Editores, p. 171 - 198 28 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Disequilibrium, or: love interest (on Party Girl)

Martin, A. P., 2014, Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema. Rybin, S. & Scheibel, W. (eds.). Albany NY USA: State University of New York Press, p. 209 - 217 9 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Early films: the novel and other horizons

Biswas, M., 2006, Apu and After: Re-visiting Ray's Cinema. Biswas, M. (ed.). 1 ed. UK: Seagull Books, p. 37 - 79 43 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Ecological Relations: FalconCam in Conversation with The Back of Beyond

Smaill, B., Jun 2019, A Companion to Australian Cinema. Collins, F., Landman, J. & Bye, S. (eds.). Hoboken, New Jersey: Wiley-Blackwell, p. 508-524 17 p. (Wiley Blackwell Companions to National Cinema).

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Eisenstein and cultural-historical theory

Vassilieva, J., 2017, The Flying Carpet: studies on Eisenstein and Russian cinema in honor of Naum Kleiman . Neuberger, J. & Somaini, A. (eds.). Paris France: ÉDITIONS MIMÉSIS, p. 421-441 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Research