Some artists and philosophers walked into a room

  • Coleman, E. (Contributor)
  • Jennifer McMahon (Contributor)
  • Sean Lowry (Contributor)
  • Claire Lambe (Contributor)
  • Cate Consandine (Contributor)
  • Robert Sinnerbrink (Contributor)
  • Rowan McNaught (Contributor)
  • Sophie Tackach (Contributor)
  • Edward Colless (Contributor)
  • Kate Just (Contributor)
  • Raafat Ishak (Contributor)
  • Lisa Radford (Contributor)
  • David Macarthur (Contributor)
  • Michael Newall (Contributor)
  • Mohan Matthen (Contributor)
  • Vanessa Godden (Contributor)
  • Geoffrey Robinson (Contributor)
  • Tessa Laird (Contributor)
  • Andrew Goodman (Contributor)
  • James Phillips (Contributor)
  • Cynthia Freeland (Contributor)
  • Paul Guyer (Contributor)
  • Barb Bolt (Contributor)
  • David Sequeira (Contributor)
  • Kiron Robinson (Contributor)
  • von Sturmer, D. (Contributor)
  • Justin Clemens (Contributor)
  • Claire Healy (Contributor)
  • Sean Cordeiro (Contributor)

Activity: Community Talks, Presentations, Exhibitions and Events › Public lecture/debate/seminar

Description

A work might be experienced in numerous ways — in person, online, across
multiple versions, as a record, diagram, report, description, witness account,
podcast, video, plan, remix, or even as a scalable aggregate of elements. Perhaps,
once we consider the world of a work of art as a constellation of elements, the
indeterminacy of art is given a more conspicuous materiality. Where is a work of
art? Is there an optimum or primary point of entry into a work of art?
Period11 Jul 2017
Event titleSome artists and philosophers walked into a room: Artsense workshop 2017
Event typeSeminar
LocationMelbourne, AustraliaShow on map

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