Double Agent: The Camera Obscura as Revelatory Structure in Michael Stevenson’s A Life of Crudity, Vulgarity, and Blindness, 2012

Parlane, A. (Contributor)

Activity: Community Talks, Presentations, Exhibitions and Events › Public lecture/debate/seminar

Description

Paper delivered in the session convened by Giles Fielke and Nicholas Tammens, "The Dumbwaiter: Science, Representation and the Form of the Artwork," Art Association of Australia and New Zealand conference "The Work of Art."
Period3 Dec 2016
Event titleAAANZ Annual Conference
Event typeConference
LocationMelbourne Vic Australia

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