Double Agent: The Camera Obscura as Revelatory Structure in Michael Stevenson’s A Life of Crudity, Vulgarity, and Blindness, 2012

  • Anna Parlane (Contributor)

Activity: Community Talks, Presentations, Exhibitions and EventsPublic lecture/debate/seminar

Description

Paper delivered in the session convened by Giles Fielke and Nicholas Tammens, "The Dumbwaiter: Science, Representation and the Form of the Artwork," Art Association of Australia and New Zealand conference "The Work of Art."
Period3 Dec 2016
Event titleAAANZ Annual Conference
Event typeConference
LocationMelbourne Vic AustraliaShow on map